John Milton Essays - Sonnets, When I Consider How My Light Is Spent

John Milton On his blindness John Milton was born in 1608 to a Puritan family. During his service to the Commonwealth, in 1652, Milton became blind and it became necessary for others to share in his labors. His blindness occasioned one of the most moving of his sonnets, "On his blindness," written in 1655. It records his fear that he will never be able to use his God-given gift for poetry again. Yet God may demand an accounting of his righteousness. And his entry into Heaven will depend upon how well he has used the gifts that God gave him. The sonnet ends with Milton's acceptance of the fact that what God wants of him is obedience and resignation. He can then serve God even if he cannot write poetry, for "they also serve who only stand and wait." The most effective of the personal sonnets is #19, usually called "On his blindness. "This allusion to his blindness is the first of many in his poetry. When I consider how my light is spent When I judge how my ability to see has been taken away Ere half my days in this dark world and wide, After I have only lived half of my life And that one talent which is death to hide Lodged with me useless, though my soul more bent This is based on the parable of the talents (Matthew 25:14-30) in which the unprofitable servant was punished for burying, not using, the talent his master had given him. Milton is pondering whether he will be punished for not using his ability that is useless and will weigh down his final judgment. To serve therewith my maker, and present My true account, lest He returning chide, Milton cannot serve God by using his ability to see and now he must face God in his "true account" of being blind. And if God was to reprimand Milton because he has not served God well he will say the following: "Doth God exact day-labor, light denied?" I fondly ask. But patience, to prevent That murmur, soon replies, "God doth not need Either man's work or his on gifts. Who best bear his mild yoke, they serve him best. Milton wonders, now that blindness has fallen upon him before half his working life is spent, whether God will still expect him to use his talent. Milton now says that with patience his murmur of spite against God, "Doth God..." will be avoided. And patience replies: God does not need men to serve Him nor to serenade Him, whoever carry His burdens without complaint, serve him finest. The term "mild yoke" is a double-entendre. The "Yoke" blindness as the burden, is not so bad a punishment. Proof that the punishment of loss of sight was not as bad as conceived was that Milton, while blind, continued to accomplish what most people who are privileged to see cannot do, to write to well-known epic poems: Paradise Lost and Paradise Regained. The second meaning is that one should bear God's burdens (yoke) in a mild manner and not complain of the suffering and serve God as best as one is able. His state Is kingly: thousands at his bidding speed, And post o'er land and ocean without rest; They also serve who only stand and wait." God is kingly and omnipotent. Thousands serve Him at His beckoning. Milton is answered with the idea that there are angels of contemplation as well as of action; similarly, some men may serve God best who humbly accept His decrees, waiting in faith on His will. Patience replies that while God does not really need "Either man's work or his own gift," He wants obedience and resignation. Thousands of angels serve Him, but men "also serve who only stand and wait." There are many scriptural passages that Milton may have had in mind, such as "Rest in the Lord and wait patiently for him" (Psalm 37:7). This poem appeals to me because Milton says that at first he was concerned that he would not be admitted into heaven because he did not serve God, but later he concludes that one may go to heaven through faith in God. I can apply this to my own life and serve God with the abilities that I have, but even if that fails, I can always serve God with my faith. Milton saw himself as the prophet who had failed, the man of the Lord to whom no one listened, that he completed the epic

buy custom Mittle Electronics essay

buy custom Mittle Electronics essay The profit making organization works toward making profit and winning the competition against the organizations which provide the same products in the market. The main aim of business is to benefit and expand its products in the market, and this is achieved by marketing and taking business positively. The managers of each business make sure the set goal and target of each year are achieved, and when they fail to do that they reorganize and formulate new strategies. There are some employees who promote the business and make it more profitable by sales promotion. In case with Mittle Electronics, Brain Abernathy has increased companys sales and income to a great extent. Due to him, the companys yearly account was $27 M. This showed that the strategies he applied could help the business to grow. Analysis Brain had outstanding clients who promoted the business by making large sales and after his death Kimberly Rowland replaced him as a new sales representative of the company. Kimberly should handle all the duties of the sales representative agent. She should work to promote the sales and keep the name of the company safe before the public. Brain did business which brought favorable results as he contacted illegal affairs with some clients in order to achieve outstanding results. Kimberly should ensure that she protects the name of the company and keep clients trust. She should also do everything possible to retain prominent clients in the business. My role as a sales manager is to promote the business and ensure that the company has made more sales and achieved the target. The income from the business was $27 M, however, taking into account the depreciation this result can be termed as a failure. The work as a sales manager is to make sure that the returns does ot go below the target level set by Brain (Raymond, 2003). Kimberly does not want to work like Brain and that is why she has asked about Anwar, an outstanding customer who worked with Brain. Kimberley should put efforts and ensure that the business target retains should remain the same. The sales of the electronics must be fixed and customers should get discounts in order to keep buying from the company because many people prefer working with a certain individual and if they do not find Brain they may quit or address to another company. The provision of discounts to the outstanding customer will make them to remain loyal to the company instead of liking Brain. Then, Kimberly will befriend the entire client base who has worked with Brain to have them trust her as they have trusted him (Michel, 2008). It is a well known fact that the customer is always right in business and should get full respect since he provides employment for a number of managers, directors and other companys employees. The company will not have money to keep going without the customer. The latter buys products and makes the business generate the money by investing and developing the business and increasing the profit. Basing argument for this concern of how to keep Anwar is to give him full respect even if what they did with Brain was unethical. This may be achieved by listening to his demands and showing him other means of doing business if applicable. Anwar has trusted the company and has exposed all what they did to Brain. This can prove that they contacted business with trust. The openness of Anwar means that he will respond to whatever the company tells him since he wants to make more money and continue developing the business (Raymond, 2003). The best way to handle Anwar is to ask Kimberley to talk to Anwar in a polite and careful manner, sinnce she represents the company as a sales manager and holds the same post as Brain. Anwar has a perception that doing business in an unethical way brings more money and income, but he only supports this idea as nobody has told him that clean business can bring the same amount of money. Kimberly will explain to Anwar the approaches of contacting business and make sure that he understands that getting into such an unclean business can bring trouble to an individual and the company. Handling Anwar with respect and polite way will make him change and accept the manner of carrying out the clean business in the right way and will be aware of the mistakes which have been made while cooperating with Brain. On the other hand, if he refuses to do clean business we will have to find another client to replace him because if the unclean business is exposed, the company loses all the clients and tr ust of the public (Michel, 2008). Kimberley will be reporting on the work on a daily basis and describe all the actions taken concerning what she has done and the type of customers she has approached. This will make her do clean business and not to get tempted to follow Brains strategies. All the clients will operate directly from the head office, and they will get their products issued by the company with a receipt and rubberstamp. A special commission will be created that is to control her actions and financial stability to prevent her from adopting unclean business (Waymack, 1990). Conclusion Many people who engage themselves in a corrupt business get a lot of income in return, but the business collapses at a time. It does not last long enough to benefit from it. The time comes when the truth exposes and all customers quit. The best way to succeed in business is to have open relationships with customers and public. Buy custom Mittle Electronics essay

The Legacy of Ruth Ginsburg or Significant Women's Rights Research Paper

The Legacy of Ruth Ginsburg or Significant Women's Rights Contributions of Ruth Ginsburg to the Twenth Century - Research Paper Example It is not possible to fully cover Ginsburgs contributions to womens rights in a paper of this limited scope. However, it will highlight her most importatnt work, and show how the progression of her legal reasoning has become the cornerstone of todays womens movement. Ruth Bader Ginsburg is one of womens rights foremost advocates, and she has earned a place in history as a woman that has led by example as well as action. Ginsburg immersed herself in womens issues at an early point in her professional life, and they became a hallmark of her career. Ginsburg was a groundbreaker, and at Harvard Law School she was one of only eight women out of a class of 500. She transferred to Columbia, where she graduated at the top of her class, though gender discrimination overshadowed her academic achievements.1 Ginsburg joined the faculty at Rutgers, and became "only the second female on the schools faculty and among the first 20 women law professors in the country".2 She became the first law professor at Harvard, directed the Womens Rights Project at the ACLU, and by 1973 Ginsburg was arguing a Supreme Court case regarding equal benefits for men and women in the armed forces.3 Ginsburg gained the attention of President Jimmy Carter by winning 5 out of 6 Supreme Court cases, and consistently arguing that the equal protection clause of the 14th amendment applied to gender as well as race.4 Carter appointed Ginsbur g to the United States Court of appeals for the District of Columbia, and in 1993 she was "confirmed by the Senate in a vote of 96 to 3, becoming the 107th Supreme Court Justice, its second female jurist", and an outspoken advocate for womens rights on the bench.5 Since that date she has been instrumental in furthering the cause of gender equality in America. Her early work with the ACLU on the Womens Rights Project prepared her legal skills for writing the Supreme Court decision on United States v.

EasyJet Airline exam note Essay Example | Topics and Well Written Essays - 1500 words

EasyJet Airline exam note - Essay Example A PEST analysis of the organisation is carried out to establish the macro-environmental impact on the firm. EasyJet operates in more than 30 countries that have do not have trade restrictions. This increases revenue since the firm can cover more areas. Due to the global terror threat, Germany, the United Kingdom, France, Israel, and Spain among other countries have put restrictions to ensure passenger safety. This has reduced travels to some extent. Governments have also put baggage restrictions for airlines along with passengers (Taneja, 2012, p.56; easyJet, 2013). The firm complies with various tax policies in its areas of operation. Most of the tax regulations are favourable to the firm, thus impacting positively on the flight operations. For example, the corporate tax policy in Europe is business-friendly. This has also enabled the process of optimisation in service delivery to meet the customer needs and requirements regardless of existing precedents and territories on implementing the system (Jones, 2012, p.34). The reduction of fuel costs have made the firm increase its revenue due to reduced operational costs, thus reducing the cost of capital for the firm (easy Jet, 2014). The reduction in fuel costs has also increased competition in the aviation industry as various airlines have reduced the ticket prices, thus making more customers use service and also leading to price wars (Katie, 2013, p.123). Besides, globalisation is projected to boost air traffic in the long run. More people are projected to travel due to increased interconnection among people across the globe. In the same way, as Europe becomes integrated; the introduction of the single currency is expected to bring more business to easyJet (easyJet, 2014). The Euro is used in over 19 nations among the member states of the European Union. The financial reports evidence that the firm is improving economically. At the moment, pound is against the

Idealistic vs. Naturalistic Art Essay Example | Topics and Well Written Essays - 1500 words

Idealistic vs. Naturalistic Art - Essay Example In contrast, some artwork focuses more on depicting the naturalistic qualities of the subject. Artists do this in order to capture the raw emotion of the scene and give the viewer an accurate, unbiased image that reflects the reality of their time. People viewing the artwork can determine which type of art it is, idealistic or naturalistic, based on specific elements seen within the painting. During my visit to the Utah Museum of Fine arts, I chose two pieces of art that I believe show the difference between naturalistic and idealistic qualities. By examining the Equestrian Statue of Louis XIV by Jacques-Phillippe Bouchardon as an example of idealistic art and the painting "Preparation for Dinner" by James Taylor Harwood as an example of naturalistic art, it becomes easier to discuss the differences between these two painting styles. The Equestrian Statue of Louis XIV by Bouchardon now on display at the Utah Museum of Fine Arts is a reduction model of a seven-meter statue built by Fr ancois Girardon and installed in 1699 at the Place Louis-le-Grand in France, what is today the Place Vendome (Louvre). Converting that into American measurements, the original statue was almost 23 feet tall not counting its pedestal, which added another 10 meters or almost 33 feet. The original statue was built in 1685 when Louis XIV’s war minister created a new square in Paris and chose Girardon to sculpt a full-scale statue of the king. His choice of artist and his intentions for the square were mostly influenced by his desire to create a more magnificent square than that created to celebrate the king's earlier victories in the Dutch War of 1679 (Louvre). The large square in Paris was the perfect setting for such a marvelous statue of the king to stand. King Louis XIV holds the merit for being the longest reigning king in European history, governing for seventy-two years. Unfortunately, the original statue, which took two years to create, was destroyed in 1792 with the firs t wave of the French Revolutionary wars (Art Tribune), but several smaller models had been made. The sculpture has many idealistic qualities to it that aid in celebrating the royal image of king. For example, the piece shows Louis XIV as a Roman emperor, calling on the authority of the ancients to equate him with the heroes of the ages. He is shown wearing a contemporary curly wig and sitting atop a strong steed, further demonstrating his ties to authority and nobility. The quality of the horse is also intended to reflect on the quality of the man as the head of a wealthy and prosperous nation. Louis sits the horse without saddle or stirrups. This can have a few interpretations. First, it shows that the rider has enough grace and agility to be able to remain on the back of such a powerful horse without having to be buckled in place or hold on to some kind of strap. Second, it proves his mastery over all things in that he can presumably convince the horse to do what he wants with ver y little effort. The horse itself stands majestically in a walking position with one leg raised and one leg standing on the shield and sword of a defeated enemy. As a result, the artist has captured the king as an active participant in the wars he has led, shows the horse to be a warhorse (adding yet more prestige to the idea that the king is controlling him without stirrups), and demonstrates the king

Special Effects

Special Effects Special Effects can be defined as a science and an art, which studies and applies the tools to fool human audio-visual sensory system, which perceive the events around us. Special effects focuses on making the unreal look alike real, or creating a non-existing event through a systematic approach. Motion film and television industry have undergone a lot of vigorous development stages during the past few decades. Out of them Special Effects and Visual effects are to name a few. But the impact of special effects in both areas is tremendous and outstanding. They played a very crucial role in making these two entertainment mediums more popular and amusing than the others. The very recent term, -Virtual Reality  was first introduced in Motion picture, when they portrayed scenes and characters which are impossible to exist in the real world. For example the Gorilla in the movie King Kong, and the robot transforming to a human being in the Terminator 1st part etc. They were very amusing at the time of these movies. Normal people could not imagine a scene where a Gorilla and a Dinosaur fighting. The first ever movement was Steven Spielberg„ ¢s Jurassic Park, in which hundreds of Dinosaurs were made artificially and animated. There are various arguments and concepts about the special effects in the motion picture and television industry. As a source for my thesis, I have studied various journals, magazines and books. The Journal called Elastic Cinema, raises few questions about the special effects and its application in the cinema and television. The recent developments in cinema show that the industry is not going to slow down in terms of special effects and virtual reality. The amount of special effects we use in the cinema today is increasing everyday and becoming more and more complex in nature. Whether these developments are economically affordable? Are they going to help the industry in a positive way? Can they still contribute to the society in a good way as how the classic films did? These are the questions raised by the movie buffs and the movie lovers. But, as the technology and the science grow bigger, their responsibility towards the society also gets bigger. After all cinema and television is an entertainment medium, the questions which are raised above become less relevant. Cinema„ ¢s primary objective is to entertain its audience. They some times amuse people in different ways. Special effects are considered to be the tool for creating this amusement. The literatures which I have gone through clearly state the different stages and the development phases of Special effects/Special Effects (VFX/SFX). They also discuss how the invention and the rapid development of Special effects changed the face of the cinema and television. The way cinema and television programs were developed and created have been changed by the invention and implementation of SFX. SFX has actually helped them to produce the -real  effect in the cinema. My study about the Special effects not only investigates the origin, development and the future of special effects, but also, its implementation in the industry and the software used in the production and development. Special effects have always helped the film and television industry to achieve what they have always desired for. They were in fact the cutting edge tool for perfection. They have helped the film makers to portray the future reality. We can now see what the future holds for the Special Effects. SFX has been through vigorous development for more than 60 years now. Its history is written in golden scripts. SFX acts as tool to bridge the present and the future reality in film making. SFX has changed the movies„ ¢ vision of making reality even more powerful. SFX has been successfully implemented in Science-Fiction cinemas. Their scope not only involves Sci-Fi movies but every areas of film production. Even the most normal and common movie or a television program we watch today involves a great deal of SFX implementation. Not every scene can be shot in real and SFX comes handy in these sorts of situations. There are two key concepts in SFX. One is Visual effect and the later one is Physical Effect. Visual effects are -any visual manipulation of motion picture frames, whether accomplished in cameras, projectors, optical printers, aerial image printers, front and rear screen systems  (Smith, 1986, p. 270). On the other hand Physical effects can be defined as -mechanical effects or practical effects that take place on the set during filming, such as explosions, wire tricks, bullet hits, etc.  (p. 264). Apart from these there is one more term which is very commonly used in order to indicate the -cinematic-illusion-of-reality , which is -reality effect  These are created by visual effects. The effect of Visual effect on the audients is different. They actually artificially produce events which are impossible in reality. The possibilities are even more. The point is that, they are very successful in convincing the audience about what they are seeing. Special effects involve more expertise and skills than the physical effects like a car explosion or a train derailment, which are actually shot in a protected physical space. On the other hand the visual effects create something that never happened in the actual world, like the auto bots transforming in to automobiles, or the massive war in the movie -Lord of the rings , which portrays more than a million artificial soldiers with out even leaving an animation feel in the audients„ ¢ mind. Visual effects in the early ages, for example, Superman (1978) has used a mixture of both physical and visual effects, they have used pre-filmed backgrounds with live action. However, in today„ ¢s world, visual effects can not only produce non existent illusions but also enhance the real-life-scenes. They help the film makers to reproduce or enhance the movie or a project with more detail. For example the latest version of Adobe After Effects and Adobe Premier Pro come with a lot of goodies in it like motion tracking and 3d layer editing etc.(www.adobe.com) Computer graphics in motion film and television is becoming more and more complex day by day. -Looking at effects films over the past few years, one could say that visual effects are following a kind of Moores Law, doubling in quality and quantity nearly every year . (Phil LoPiccolo (Editor-in-Chief), Computer Graphics World, January 2005, in the editorial note) What we see in the screen will become outdated in the next day when next movie come out. A great deal of enthusiasm and skill is required to do the special effects in the way the director and the author visualize it in their mind. As Phil LoPiccolo states, SFX is following the Moore„ ¢s law. The complexity and techniques keep doubling every day. The movie Lord of the Rings for example, casts nearly 70000 animated soldiers in a battle in the first part. The complexity and the number of effects has quadrupled by the third part in which they portrayed nearly 225000 animated characters and more than 1800 effects featur ed. Computer graphics and 3D imaging has become more common and complex and also helped the movie to become more popular. The invention and the implementation of 3D imaging have revolutionized the Special effects and the movie industry. These days, movies with out special effects are very less and are considered odd. They are fuelling mechanism for commercial cinema. As we all know, not every scene is practically possible to shoot live, even in controlled environments. Special effects come handy in such cases. After the 1980s, digital imaging and special effects have started revolving around three major area, they are digital characters, digital world and digital events. Technical experts in the early years had predicted that the technological advancement in the motion picture will replace the use of photographic techniques and the use of film eventually, but as of now, their enthusiasm seems very immature and inappropriate. History of Special Effects There are various methods to create a special effect. They can be generated through animation, miniatures or matte shots. Cartoons are a very good example of animations, they can either be computer generated or shot by a stop motion camera. The -illusions-of-reality  in the early stages were generated by using paintings, miniatures, and false back grounds. Miniatures are used everywhere. Whether it is a small scale production or a large scale one, they are a very important factor of special effects. In early ages of special effects, film makers used live action combined with a false background or another play-back-scenery, which is done by another rear-projector. This technique is called -rear projection . But as the era of colour film began, these systems showed instability in terms of the light and shadows, they were difficult to achieve in the same amount. So the system called -front projection  was implemented, where the camera is placed in the same place as the projecto r is placed. Then came the technique of fast and slow motion. These effects are achieved by adjusting the frames per second aspect of the film shot. Normally a film is shot in 24 frames per second, anything grater than this will slow down the motion in the screen and vice versa. We can clearly see that these above mentioned techniques are achieved by manual operation, in other words they are camera techniques. Computer aided film development and special effects were invented in a later stage. The combination of both computer and the film technology has given the film makers the advantage of -illusion-of-reality . They could easily manipulate and enhance the movie by using computer technology. A new era of sci-fi movie has begun with the invention of this technology. The technology brought them the ability to create physically impossible events in the silver screen and in the television. Graphics and animation can be easily created with the help of a computer. These computer generated graphics are then combined with live footage with the technique called -Analogue Image Synthesis . Film is once scanned and exported to computer graphics, they are then manipulated by graphics and motion authoring software like After effects, combustion, 3DS Max, Maya etc, also they can include more animated and non animated objects in this computer generated film. Once the editing and compositing is completed, they are then exported to film again. Another process include in the digital manipulation include -Digital Compositing . It is used to render the non-live objects into the film like dragons, fire etc. They uses miniatures and then capture its movements and converts them into actual movements in a computer software. Such innovations have fuelled the computer aided special effects in motion pictures. George MÃÆ'ƒÂ ªlÃÆ'ƒÂ ©es, a Parisian magician is known as the inventor of many techniques in special effects until the date. Many of his techniques are still use such as motion stop camera, substitution shot, double exposure etc. He has also agreed that some of these techniques are accidentally happened. For example, the substitution technique has happened when he was shooting a moving mob. He stopped the camera for some time and restarted it from the last point. When he projected the final film, he was astonished to see that people disappearing from the screen. Later he used this technique in many films. This incident is considered as the first special effect ever. During the early years, films were only few minutes long, especially in between 1890 and 1910. They were 10 to 15 minutes long. They included simple common scenes like people moving or a market place, a town centre, a train station etc. Audients only wanted to see the moving pictures at that time; they were very much satisfied with the idea. Sooner movie makers started telling stories. These stories included real characters and film sets etc. During the First World War, they started making feature length movies (90 minutes long), which is forefather of today„ ¢s motion picture. A movie called -The Great Train Robbery  which came out in 1903 directed by Edwin Porter. The movie used a matte painting effect in order to make the train passing cast through a window. They shot the train passing in the first sequence and they rewind it and recast the window matte. Everything was blacked out except the window. When the final film was projected people could see the train trough the window. This effect is said to be the first ever special effect using matte. As the time passed by special effects become more complex and they started creating more and more realistic as the audients become more sophisticated. Since the 1926, the special effects were called as trick shots. During the 1920s European Film studios have started equipping special departments for special effects. Special effects had become a very important element of any motion picture by that time. As the time passed by and the audients have become more sophisticated, it had become almost impossible for film makers to fool audients with the normal techniques therefore they had to come up with more ideas. Then they invented the technique of the travel matte. In the middle of the 20th century, with the invention of digital techniques and computer technologies, special effects have become more sophisticate and powerful. It has reached a level that even the whole movie could be produced with out any exterior exposure or shooting. This era of movies contains more than thousands of special effects and shots in a single movie. Special effects have a rich and a vast history which is dated to the early 17th century, where magicians have become a part of the society. They used to use many techniques to fool the public; they used to do optical illusions to entertain their audients. Their techniques are said to be the base of special effects. One of the earliest effects is said to be the -summoning of the dead , where the magicians used the semitransparent sheets of historic people to project a ghostly type of motion. The equipments which they used to do this optical illusion have become very famous in the late 1970s. The first motion picture ever was made in 1985, sound have become a part of the movie only after 32 years. Motion picture had to travel through a lot of revolutionary changes until it reached midst of the 20th century, only then special effects have found its way to the movies and television. In 1896, Robert W. Paul has developed a commercial film projector with Thomas Edison„ ¢s Kinetoscope. He has built Europe„ ¢s first film studio with all the necessary equipments like Dolly track and trap doors etc and produced his first motion film with few special effects in 1905. 20th century has seen many of the revolutionary developments in the special effects world. With the computers involved in the editing and the manipulation a new era has begun for the motion pictures and television. They could create virtually anything with the help of computers; let it be a building or people, or even a sequence of actions or events. Special effects have finally found its extreme heights with the help of computers. Digital Technology The computer aided designing, sound editing and authoring, special effects etc have revolutionized the motion film industry in the late 1990s. One of such movies which have implemented the extensive use of computer technology ever is Forrest Gump (1994), which cast an actor whose legs are blown off in a battle. They used the computer technology to erase his legs after the footage was shot. This movie is said to be the first movie which has successfully combined both the blue screen technique and computer graphics. Role of Software in Special Effects Software like Maya, Adobe after effects, Avid and 3DS Max etc have revolutionized the special effects galore in movies and television industry. They helped special effects creators to create, manipulate and animate the 3D models and create virtual scenes to create the virtual reality. Software like After effects and Combustion Studio have helped the creators to modify and blend the shots with the virtually created scenes, while maya and 3DS max stood for creating the backgrounds and miniature models and giving them the 3D aspect. These softwares being the industrial standard for special effects and 3D authoring, there are many more tools emerging day by day. As a successor to all these visual editing and creation tools, sound editing and authoring has also become a part of industry and also a part of the special effects. They could be both combined and used together in a successful way. Now, live-shots and editing could be done side-by-side using adobe after effects and such tools us ing the new timeline feature which they provide. Objective As an MSc student, my objectives are to narrate the history and the development of Special effects and stating its influences, motivations and advancements in different stages of its development. Also, identify the current scenarios and predict the futuristic developments and depict some of the techniques used in today„ ¢s world. The software which I mainly use to depict the techniques in this dissertation are 3DS Max and Adobe after effects. I use 3DS max for creating 3d objects and giving them movements and creating the environment. SPECIAL EFFECTS IN TELEVISION For most of the part, television is not considered as real, all that we could see fit in that tiny little box. It is a small little world what we see and the audients believe it. Televisions simulate the ideas; they do not shoot real events like the motion picture. In fact they can manipulate them to real-like events because the frame is very small. Being so unreal, television also will have to deal with the real world as well. It can be said as the combination of both real and unreal. CREATING SPECIAL EFFECTS The visual effects which we see today are mostly generated from a combination of both modern and traditional methods. Getting the right effect on the right time requires more planning and organizing. Visual effects peoples job starts right before the actual production of the movie or a TV commercial. They have to plan things and shots. They also discuss the possibilities and the credibility of the particular shot and the special effect to be used. The techniques range from reproduction of sequences to compositing multiple frames and creating miniature digital models and motion tracking the machines etc. There are certain problems though, creating special effects with the moving camera is not an easy task, it is unless we use a locked off camera, but once the camera starts moving, the special effect crew will have to track the camera movements too, and then only they could actually recreate or manipulate the specific action or the event. Such problems and obstacles should be discussed prior to the production of the film or the feature.

US Involvement in Nicaragua :: essays research papers fc

US Involvement in Nicaragua Some might say that Nicaragua has been merely a pawn in the US battle against Soviet-Cuban Communist control in Latin America. Relationships between the US and Nicaragua go back to the Gold Rush and Cornelius Vanderbilt’s attempts to expedite the travel between the two coasts of the US. Vanderbilt bought the rights to shuttle fortune-seekers across Nicaragua to avoid their having to cross the width of the United States or travel around Cape Horn. Eventually, controversy among the Nicaraguan people led to a civil war in 1853. The US was further drawn into the conflict when the left-wing army hired an American, William Walker, to fight for them. Walker and his mercenaries quickly conquered Grenada, the stronghold of the Conservative parties and found themselves in charge of the army. Walker, however, had his eyes on the presidency, which he eventually took. Walker was not the end of US intervention in Nicaragua. The government had aligning aspirations with Cornelius Vanderbilt a nd decided to build their canal through Nicaragua, which was less disease ravaged than the other contender, Panama. However, due to previous treaty agreements, the US would have to share control of any canal built through Nicaragua with Great Britain, and so the plan was abandoned. Instead, the US built an exclusively controlled canal through Panama. From 1893 – 1909, a general by the name of Zelaya had exclusive control of the Nicaraguan government. However, in 1909, with US support, this government was overthrown and a pro-US government was established. Throughout the early 1900’s, US Marines helped quell minor rebellions throughout Nicaragua and occupy much of the country. Finally, in 1933, the marines leave under the premise of peace with the guerilla leader Gen. Sandino. A man named Anastasio Somoza is put in charge of the National Guard, and therefore controls the country with an iron fist. Until 1979, the Somoza family serves as the totalitarian government in Ni caragua, fixing the elections so power remains in the family. Throughout this 40 year period, several minor insurrections are staged by the newly founded Sandinista National Liberation Front. These are easily put down by the military regime, until 1979. Throughout this period of relative peace in Nicaragua, many dominos are being set up around them throughout Central America. In 1959, Castro controls Cuba and the US begins to worry about the communist influence in Latin America.

Hypothetical Research Proposal Social Psychology Essay

Understanding media in today’s world is more than intellectual exercise, it is essential survival skill in a world that has been absolutely changed by mass communication. Hundreds of studies have shown that viewing violence in the media can influence destructive behavior. This paper will review research involving the relationship between the media and violence. Since, women’s issue to violence embodies many areas of social life and is very much rampant and relevant in our society today; violence to women will be used for the representation for this paper. After taken into account, the finding will show that the rising of media and the violence among women in the society has strong significant effect. Introduction In 2003, Allan Menzies stabbed his best friend, drank his blood and ate part of his skull. Utterly this murder was different from the many horrible murders that are committed. Menzies claimed that the character, Akasha, from the vampire film Queen of the Damned had told him to kill his friend as a way of gaining immortality. Menzies was possessed with the film and had viewed it over 100 times before â€Å"acting on the orders† of the vampire queen (Robertson 2003). The case of Menzies certainly demonstrates the intimate relationship between media and violence. However, violence news is often selective and distorted, giving an inaccurate picture of violence in society. This observation has led Warr (2000:482) to argue that â€Å"violence rests on highly uncertain information about risk† In fact, Fields and Jerin (1999) carried out a comparative analysis of violence coverage in newspapers in fourteen different countries. In the US, they found evidence of misinterpretation, overrepresentation of violent, heavy reliance on â€Å"official† sources, false image of police effectiveness, uniform crime coverage, lack of educational value, racial prejudice and/or stereotyping, and little coverage of corrections. This is a significant finding as the majority of citizens only have symbolic rather than experiential knowledge about violence. Consequently, when the media are the primary knowledge distributors about violence, distortions such as these are readily available to construct public perceptions. And because the consequences of violence can be severe, these perceptions can lead to an increased concern about violence victimization. This â€Å"resonance† hypothesis argues that the media â€Å"cultivate† a threatening view of the world, which compounds preexisting violence (Bagdikian, 2000). Literature Review This literature review will introduce the theoretical perspectives that will guide this study in understanding the construction of a gendered crime â€Å"reality†. The key concepts of social constructioinism and feminist criminology will be explained and will be illustrated in relation to fear of crime. The connection between the media and fear of crime will be explain with an emphasis on the distortion of knowledge, audience effects, and media content and claims. Further, the effects of political economy on discursive transformations in the presentations of crimes will be address. Impact of the Media The media has the potential for far greater impact than interpersonal communication, if only because of the larger audience and the professional nature of the messages. The impact might be seen in audience pleasure or buying behavior or it might be seen in an unintentional effect such as young child’s imitating the violent behavior seen in a favorite T. V. show or video game (Rodman, 2006). This impact becomes the part of the feedback sent to the source, perhaps as news reports about studies into effects of media. Social Theory, Media, and Violence The relationship between violence and the media is complex. For example, Barak, (1994) finds that although the press does not present a consistently biased impression of media and violence through their process of selection, he discovers little evidence to suggest that this is very influential on public perceptions of, and opinions about, these phenomena. On the other hand, Sheley (1995) argues that the media responds to and stimulates violence and are probably the single greatest influence on public attitudes about the topic. However, both social constructionists and radical feminist criminologists see the mass media as particularly relevant when studying violence, as the meaning and significance attached to a violent event during its commission can be transformed entirely once it is communicated into society. As Stanko (1992:14) notes: The full social and personal consequences of violence can never be deduced from the simple enumeration of risks. Like other human experiences they necessarily involve representation, communication and attribution of significance and it is for this reason that the understanding of the character and uses of mass media may be able not simply to help explain the distribution of expressed fears but also to illuminate their nature and implications. The significance of this violence as it relates to culture needs to be taken into consideration in order to understand the transformations commonly found in media narratives over time. In addition, a â€Å"lack of sensitivity to media-generated reality-constructing processes has serious real-world implications† (Surette, 1998:271). Heavy violence coverage in the media can not only increase public fear, it can also direct much public discourse on the violent issue which leads to stereotypical views of violence, shapes certain violent as social problems, and limits violence control options (Barak, 1998:44). Working within the social constructionist paradigm, I argue that effect of violence is a social process rather than a social fact: reactions to violence are subjective and dynamic. Not only are these reactions based on the actions of certain social groups who have the power to set forth their own interests over others, and who employ â€Å"experts† to offer professional credibility to support their claims, but they are also based on dominant cultural ideologies. In turn, the media disseminates these â€Å"truth† claims as they see fit, creating a â€Å"conceptual reality† for public consumption. I consider this constructed reality and its relation to violence exploding: Who are constructed as deviant â€Å"outsiders? † What claims and claims-makers are central to the discourse? What preferred rules does the media maintain? Who is given the most voice to speak authoritatively? In the hierarchy of violence, what is the â€Å"master of offence? † Do the violent messages discuss possible solutions to violence? Are the violent messages sensationalistic? Are random violence reported the most often? Research Question and Aim of this Research This proposal will examine how the media constructs fear of crime for women, and explains why. It will employ both content and textual analyses to evaluate media representations of crime and their role in facilitating images of fear and safety. Moreover, I will utilize feminist criminology and social constructionism to allow an evaluation of claims-making activities and gendered crime myths. Ultimately, the aim of this research is to examine how the media are constructed as sites of fear for women. To accomplish this, I would like to answer the following questions: 1. Do crime messages signify fear of crime? 2. How do the media define fear and reveal its meaning to audience members? Is this â€Å"reality† contested over time, and if so, why? Hypotheses: The meaning associated with women’s danger and safety in news narratives are socially constructed through claims, sources, content and culture, making the â€Å"social reality of crime† a human accomplishment. Method Design I will analyze an issue of a three popular women’s magazines as my primary data for violent messages since it embodies many areas of social life, making it culturally significant. Moreover, magazines give a less fragmented picture of the total violence phenomenon than say newspapers, and their documentary style gives a more elaborate perspective than the information oriented style of newspapers. The analysis will be done through content analysis. Data Collection Procedure Magazines represented a variety of violence narratives as â€Å"newsworthy. † That is, these magazines found violence to be interesting or exciting enough to attract and inform consumers, and therefore violence narratives were considered important elements when producing the news. Among the violent messages such as; sexual brutality received almost one-half (50%) of the coverage. This included; rape, sexual assault, and sexual harassment/discrimination. The reporters often evinced the personal accounts of those who were victims. This added an emotional dimension to the narratives; bringing to the reader an â€Å"eyewitness† account, rather than an â€Å"objective† report of the facts. Child abuse, which included physical and emotional abuse, followed closely in frequency (25 %), while domestic violence (8%) and murder (7%) remained minor but persistent narratives. Magazines reporters also wrote about criminal justice issues such as the death penalty and victimology (3. 5%). Violent such as burglary (3. 0%), juvenile delinquency (2. 0%), and illicit drug use (1. 5%) were infrequently in the news stories, and other crimes, such as fraud and kidnapping, were not mentioned in all three magazines. News, Sources, and the Production of Meaning Various sources of knowledge about violent, law and violence justice were represented in the news making process to create meaning. There were five types of sources used by reporters to construct violence narratives. First, government sources were cited in 60 percent of the violence articles. Representatives of the violence justice system, such as police, lawyers, judges, and correctional officials, were used as sources in nearly one-third (33%) of all violence articles. Less frequently, other government agencies, such as social workers and child welfare/ protection services were offered as knowledge sources by reporters (5%). As well, politicians, or elected officials, were occasionally used to supply knowledge (2%). Gender and Violence Narratives Media violence depictions were consistently gendered and women’s fear of violence was constantly constructed and reconstructed. â€Å"Intimate danger† was portrayed in 62. 6 % of the violence messages; â€Å"stranger danger† was highlighted in only 23. 2 percent of the news stories and 14. 2 percent of the narratives did not mention danger in all. In all time frames, intimate danger was more commonly constructed than was stranger danger. Intimate danger was present in over half of all articles. Overwhelmingly, familiar dangers were most newsworthy. Sex was ultimately connected to danger in the media discourses with over half (60%) of all violence messages signifying it. Over different time frames, sexual danger was present in 62. 5 % of all articles. A discourse of sexual inequality in an issue of the three different popular women’s magazines also contributed to the gendered nature of violence. One-fourth, (25%) of all crime articles connected sexual inequality to violence. This suggests that women’s fear of violence was linked to their subordinate status, and can best be understood in the context of broader social inequalities. In sum, the media instructed women to be most fearful people they knew in their own home, to fear violence of sexual nature and foremost, and to fear for themselves, but also for others. Violence and Media Coverage The crime reports in an issue of the three popular women’s magazines consistently supplied readers with the resources needed to understand and comprehend violence, particularly on a social and environmental level. By explaining the source and foundations for violence, journalists did not leave readers asking â€Å"why. † And by demonstrating how to cope with violence, audience members were given solutions that could ultimately be used to exert some control over their own lives. As a result, the news narratives presented violence as both avoidable and manageable. Further, violence accounts were presented in a manner that kept the audience informed about violent and violence justice issues without relying on dramatic flair. In sum, violence and violent justice was framed, in form and content, around an ideology of violence against women, this constructed a gendered nature of fear. This required sourcing the news in a specific manner in order to produce journalists` preferred meaning. For the most part, a central objective for journalists was to inform the audience about the broader social forces that influenced violence as it related to women: the violent event was a means to educate the reader about the foundation of crime and its prevention. Data Analysis and Expected Results In the production of news, news coverage was shaped according to the journalists` particular conceptions of violence. Extensive and various sources merged to define violent danger, establishing a version of the social reality of violent that differed considerably from other mediums of knowledge. For example, a sense of societal responsibility to end violence against women often guided the newsmaking process, unlike the majority of mainstream newspaper and television violent reports that individualized the predator criminal (Surette, 2004). The violence accounts in an issue of the three popular women’s magazines had a definite feminist agenda: to acknowledge the obstacles and inequality inherent within law and violence justice practices, and to support social and legal resolutions that eliminated male violence against women. By providing violence coverage from an experiential standpoint, and exposing myths commonly associated with women’s violence, journalists helped to reconstruct alternative violence news. In sum, two distinct patterns of news reporting will be observed throughout this research. Both patterns communicated violence and violence justice according to the journalists` â€Å"sense† of the issues: their preferred meanings, constructed through particular discursive arrangements, helped to construct different versions of the â€Å"reality† of violent risk. The dominant reporting style of the news in an issue of three popular women’s magazines promoted a feminist critique of women’s fear of violence based on women’s own experiences that downplayed indicators of fear and encouraged an informed understanding of the violence phenomenon. Rather than constructing random men as the source of danger, the â€Å"true† offenders will be reported to be sexism, ineffective laws, and a violence justice system that supported male violence against women. However, a minor and subordinate pattern of news reporting emerged that â€Å"mystified† the issue of violence and prohibited the consideration of contexts or alternatives. These constructions in the news coverage eventually reflected information and interpretations that supported official sources, changing the underlying ideology of social reform to self-responsibilization for violence. Conclusion In summary, by pursuing these research directions a greater understanding of the complex issues surrounding violence in the media will be advanced. Further knowledge about readers, news workers and policy makers will explicate the effects of gender, news production processes, and political influence on media images. Such multifaceted analyses serve to extend the understanding of media violence as a social construct. References Bagdikian, B. (2000). The media monopoly, 6th ed. Boston: Beacon Press. Barak, G. (1998). Newsmaking criminology: Reflections on the media, intellectuals, and crime. Justice Quarterly 5: 565-87. Barak, G. (1994). Media, process, and the social construction of crime. New York: Garlan

Essay on Lonely PlanetEssay Writing Service

Essay on Lonely PlanetEssay Writing Service Essay on Lonely Planet Essay on Lonely PlanetUsing mobile devices opens new prospects for the development of the company because mobile devices and applications help the company to deliver its products and services to their customers directly (Viardot, 2011). Mobile devices and applications provide customers with precise information and travel guide that customers are interested in, instead of sending customers huge print editions, which they read only a minor part of.At the moment, Lonely Planet faces the risk of the deterioration of its marketing performance because of the emerging conflict because of its persisting focus on print editions and emergence of digital technologies. As a result, print editions of Lonely Planet become out of date, while its digital editions could be more specific and reach the target customer group (Peters, 2012). Hence, the conflict between the traditional business of Lonely Planet, which has brought the company success, and new technologies forces the company to implement in novations but innovations will change the traditional business strategy and will move a lion share of the company’s business online.Hence, it is possible to recommend the company to enhance its online business through the wider introduction of innovations that are essential to maintain the competitive position of the company. Therefore, the company will be able to meet needs of its customers and deliver them products and services, which they need.As internet may be a problem for customers of Lonely Planet traveling throughout the world, the company can offer them text messaging and sms notifications on specific locations, where customers are at the moment, as long as their mobile phones are available (Viardot, 2011). In addition, the company can offer digital products using digital navigation using satellites to locate customers and transmit required information to them.

Thomas Edison Speech essays

Thomas Edison Speech essays You get in your car on a Saturday night. You turn on the light in your car so that you can read the directions to the movie theater. Once you find out where to go you enter the theater and watch a movie. Following the movie, you get into your car and listen to your favorite album as you leave the theater. Now imagine a world without these things, and many more too. This is a world without Thomas Edison, one of the greatest inventors of all time. Thomas Edison was the man who brought light to the shadows. He was the man that made pictures move and talk. He was the man that brought music all over the world. He was the man that made the impossible possible. He was the man that made dreams realities. Thomas Edison was always a bright individual. He received his education from his mother until the age of twelve and exhibited extremely innovative behavior at a very young age. This innovative behavior led Thomas Edison to become one of the true geniuses of our time and it was apparent even in his young teens that Edison would change the world forever. The true marvel of Thomas Edison's brilliance was his keen understanding of complex mathematics and science, despite the fact that he stopped his schooling at the age of twelve. Despite this, Edison had a keen understanding of calculus and physics. Ask yourself this, what kind of math were you doing in sixth grade? However, his understanding of complex subjects such as these came second to his incredibly innovative mind. Edison is quoted saying, "I never pick up an item without thinking of how I might improve it." However, it takes a lot more then an idea to be a great inventor like Thomas Edison. No matter how smart a person may be, it means nothing without the perseverance and determination to meet their full potential. Edison is a shining example of this, no one worked as hard to reach their goals as Thomas Edison. Thomas Edison was born into a life or hardships. ...

ABORTION Essay Example | Topics and Well Written Essays - 750 words

ABORTION - Essay Example The wealthy were able to travel abroad or pay high fees to a local doctor willing to perform the procedure for a price. Poor women had to resort to less safe options. Prohibiting abortions does not and has never stopped them from occurring; it just acts to harm women. People opposed to legal abortions are also in the same camp that opposes programs that aid the impoverished and abused children who are the result of unwanted pregnancies. They point to ‘Christian morals’ and ‘family values’ as justification for the loss of liberty, discrimination of the poor and the increased cases of injured women. This divide of morals and concepts will never be bridged but the debate whether abortion should be legal or not is a matter for the courts. This discussion considers the legal aspects of the abortion issue. The arguments for and against are significant in a social context yet don’t really mean anything because they will not decide whether or not abortions remain safe and lawful. The Roe v. Wade case, brought before the U.S. Supreme Court in 1973, resulted in the Court’s determination that women have the constitutional right to have an abortion prior to when the fetus is viable, meaning when it can survive on its own outside the woman’s womb. The decision removed any state law that restricted a woman to have an abortion or a doctor to perform an abortion during the first three months (first trimester) of a pregnancy. It also restricted abortions during the second-trimester unless a woman’s health was in danger (â€Å"Roe v. Wade†, 1997: 312). Though the case was then and is still strongly debated, the Court’s decision was correct from a constitutional context. Critics of the decision have generally made arguments based on personal moral beliefs which don’t count when the language of the Constitution is examined. Their moral arguments against the Roe decision can be quickly dismissed by weighing the

Early American History from 1790 to 1877 Term Paper

Early American History from 1790 to 1877 - Term Paper Example Just 14 years after the founding of our nation in 1790, many changes were already in the works, and America had already been one year under its first President, George Washington, who served as a general against the British in the Revolutionary War. During the second of his eight years in office, the Bill of Rights was drafted (in 1791), adding 10 Amendments to the U.S. Constitution ? which outlined the freedoms enjoyed by citizens, including the freedom of speech, the freedom of religion, and the right to bear arms (Nussbaum 2006). Also during this term, the rivaling Federalist and Republican political parties were formed – the former pressing for a strong central government and banking system with good ties to England, with the latter wanting an economy based in agriculture with weakening ties to Great Britain (Ibid.). After the turn of the century, America continued to want to expand its borders, and made the Louisiana Purchase of 1803, paying France $15 million for 800,000 square miles of land from Louisiana to Montana, doubling the nation’s size (Klose and Jones 1994, 130). ... This was followed by the Missouri Compromise of 1820, where the existing southern slave states agreed with the northern free states that Missouri would become a slave state if Maine became a free state (Nussbaum 2006). Just three years later, a treaty devised by President James Monroe, known as the Monroe Doctrine, was reached between the U.S. and European nations, where both sides agreed not to interfere with each other’s (including Spain’s) colonizing interests, guaranteeing safety to all (Klose and Jones 1994, 154). However, all conflict was not avoided, as Mexico’s General Santa Anna Stormed the Alamo in Texas and defeated American Colonel William Travis in a two-week battle in 1836, but the long battle gave the U.S. time to eventually defeat Santa Anna’s army in another showdown to make Texas independent and later become the 28th state (Nussbaum 2006). As populations swelled in the eastern U.S., European Americans sought to displace the occupying Indi ans in Georgia, and 7,000 troops forced 15,000 Cherokees to Oklahoma under grueling conditions in 1838 – an exodus known as the Trail of Tears, where 4,000 Native Americans perished (Ibid.). America was growing, and there was not much that could get in the way. This expansionist frenzy would stop no time soon. A concept known as Manifest Destiny soon became the term used to spread the belief that it was America’s fate to occupy and claim land across the continent, from coast to coast, and many routes ? including the Oregon, California, Mormon, and Santa Fe Trails ? were traveled during this time to inhabit the far west (Baker 2006, 7). This expansion was not uncontested, however, as the Mexican-American War ending in 1848 resulted in a costly victory – in money and casualties – for the U.S., which